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 Fashion Fuss with Teens

THE OTHER DAY I TAUGHT MY brother Anand how to speak "Women's Clothes." It's a complicated language; rich, multi-leveled, and full of many more adjectives than the language of "Men's Clothes." I was selecting what I'd be wearing to a party we were going to that evening. I explained how I thought maybe I'd wear a well-cut Pierre Cardin dress, augmented by silk scarf . And should I wear my new funky dangling earrings? If so, then I couldn't wear my red lipstick, and I like how I look in red lipstick.

"What's with the 'if this then that' thing?" asked Anand.

I tsk-tsked him, and explained: "I want my look to say: 'Sexy without trying too hard. As well as smart-but smart/interesting, not smart/know-it-all.'"

ANAND LAUGHED, BUT I KNEW what I was talking about. I've earned an honorary Masters in the language of "Women's Clothes." I've been studying it since my teenage years and am gravely aware of what a sensitive language it is - as sensitive as Japanese to the subtlest shifts in emphasis. Something as seemingly minor as a layer of red lipstick can carry enough weight to shift a look entirely in the wrong direction. Ultimately, I opted for the red lipstick with my small art deco earrings - but decided not to totally comb my hair so I look less pre-planned.

Again, Anand laughed at my nuances, but I knew tonight they would not go unnoticed. The women at the party would immediately know what my clothes and accessories were saying about me. And the men would know, too, without knowing they were knowing. I'd be communicative loudly to them on a subconscious level.

ANAND'S FASHION DILEMMA for the evening was less complicated.

"Does this green shirt look too dirty to wear?" he asked. Anand's not big on clothes. But even if he were, a man's fashion choices, compared to a woman's, are much more narrow, which I believe is a very significant sociological difference. I have a theory that the extreme variety of clothing available to women is yet another way we women allow ourselves to be emotionally vulnerable.

Wacky, you think? Admit this:

A woman's wardrobe options are greater than a man's. For every style of shirt a man has, a woman has twenty more, same with pants. Plus a woman has the option of wearing salwars, saris, and dresses and of course, pants - of a wide variety of styles, lengths, fits. And earrings, necklaces and bracelets - of assorted personalities. Each of the choices a woman makes in selecting her garb works like an adjective, describing a bit about her tastes, her confidence level, her sexuality, her sense of humor, even her politics. And because a woman uses more adjectives when she dresses than a man, she communicates in more detail who she is. Proof in point that a woman's wardrobe is yet another way a woman makes herself more emotionally vulnerable to the world than a man's does.

 THE PARTY THAT EVENING supplied further proof. I pointed out to Anand how most of the men in attendance were dressed alike: in trousers and button-down shirts. The generic nature of these men's clothes prevented any personal communication from leaking through. A man's modus operandi! I could barely even assess these men's economic status'.

But the women might as well have been wearing signboards advertising their idiosyncrasies. I pointed to a cute henna haired woman wearing a tight-fitting chudidhar and high spiky heels and told Anand to keep away. It was obvious by her clothes, she'd be very needy in a relationship. Plus, the particularly trendy flower-print she wore revealed her to be a follower, not a leader, and thereby a little less stimulating on the conversational front. And her plain, but large, gold hoop earrings proved she was not artsy enough for Anand. No doubt about it: They would disagree on most movies.

"I KINDA GOT THIS FEELING she wasn't my type," said Anand, "But I still can't believe you can tell all that!" Just then, a petite shorthaired girl in a creme sheer shirt (with a creme lace top peeking out beneath) accompanied by fitting jeans and combat boots walked past. "I like her," Anand said. "She seems my type." "You both share a lot of CD's in common." Anand laughed, challenging my knowledge. So I approached the girl, and was right: Metallica, a lot of jazz, a smidgen of reggae, and not much rap. Forget about astrology signs, if you want inside info on every nook and cranny of a woman's soul, find out her favorite clothing designer.

OF COURSE IT'S NOT JUST THE DESIGNER NAMES that matter, it's the styles they represent. And of course it follows that the most interesting and complex women have a little bit of every style in their wardrobe.

MEN, WITH THEIR LITTLE selection of messages to send, have less opportunity to fool us women. Even if they tried, a woman's honorary Masters in the language of Women's Clothes would aid her in tuning into the lies of Men's Clothes. A man eager to trick a woman by wearing baggy striped pants to look thin, or a fake Armani suit to look rich, or an all black outfit to look understated - when he's none of the above - would most likely fail. We women have been studying this since our teenage years, and know all the subtleties of cut and cloth.

"Keerthi! There you are!" said Anand. "Let's get out of here." "So soon? What's the matter?" I asked. "It's that woman in the tight chudidhar and spiky heels. She..."

"I know, I know," I said.

And I did, so we left
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